CRANE

Our team will bring your production to a higher level. We have many worldwide experiences working with a crane. We do a lot of sports, concerts, live shows, documentary movies, commercials, and music videos,…

Crane gives you unique shots and your production will look much more professional. We always consult with the director or the producer about what kind of crane you need and what you expect. Together we are on the right way to doing a great job and the final product will be great.

Information needed for the booking:
• What is the date for the production?
• Which crane do you need?
• How many cranes are needed?
• How large is a crane needed?
• Do you need Dutch Roll head?


SuperTechno30

SuperTechno30

A popular choice for film, television and commercial shoots, the Supertechno 30 Techno Crane offers a respectable arm length whilst maintaining a small footprint and simple set-up/de-rig.

Specification:
Max. Lens Height: 9.2m
Max. Telescopic Range: 6.9m
Max. Length Crane: 11.59m
Max. Speed: 2.8m/sec.
Min. Speed: 1m/h
Max. Camera Weight (with Z Head): 35kg
Total Weight: 1200kg
Max Power Requirement: 16Amp


CamMate 2000 Series

The 2000 Series provides quality, precision moves and control, allowing you to reach new heights. The 2000 Series can be built in various lengths and is made of 2m sections and has a maximum height of 12m.

The remote head has a max payload of 23kg, and it is compatible with all broadcast or ENG cameras with Canon or Fuji lenses. The Pan and tilt movement of the remote head can be controlled as well as the speed and dampness of the pan and tilt movement. It has control for Canon (8-pin or 20-pin) or Fujinon lenses, including zoom/focus/iris control, and zoom speed adjustment. For broadcast production, we use 2 monitors—one for the camera picture and the second for the ON-AIR picture. If needed we have a tally light on the head and near the operator. Intercom goes directly from the camera and the operator + assistant can listen to the director or they can talk with each other.

Specification:
Lens Height: 4.09m – 12.22m
Reach: 2.21m – 12.00m
Total Length: 3.76m – 14.5m
Ballast Needed Approx: 18kg – 309kg


CamMate Travel series

Travel Series is the smaller version of the 2000 series crane with a minimum height of 2,5m and a maximum height of 6,4m. Travel series is great for outdoor shooting and it’s ideal for small studios and confined spaces.

Remote head has a max payload of 23kg, and it is compatible with all broadcast or ENG cameras with either Canon or Fuji lenses. The Pan and tilt movement of the remote head can be controlled as well as the speed and dampness of the pan and tilt movement. It has control for Canon (8-pin or 20-pin) or Fujinon lenses, including zoom/focus/iris control, and zoom speed adjustment. For broadcast production, we use 2 monitors. One for the camera picture and the second for the ON-AIR picture. If needed we have a tally light on the head and near the operator. Intercom goes directly from the camera and the operator + assistant can listen to the director or they can talk with each other

Specification:
Lens Height: 3.35m – 7.62m
Reach: 1.5m – 6.4m
Total Length: 2.57m – 7,75m
Ballast Needed Approx: 4.1kg – 120kg


SC-SUPERJIB

Remote head has a max payload of 20kg, and it is compatible with all broadcast or ENG cameras with either Canon or Fuji lenses. The Pan and tilt movement of the remote head can be controlled as well as the speed and dampness of the pan and tilt movement. It has control for Canon (8-pin or 20-pin) or Fujinon lenses, including zoom/focus/iris control, and zoom speed adjustment. For broadcast production, we use 2 monitors. One for the camera picture and the second for the ON-AIR picture. If needed we have a tally light on the head and near the operator. Intercom goes directly from the camera and the operator + assistant can listen to the director or they can talk with each other.

Specification:
Lens Height: 6.9m
Reach: 1.5m – 8.1m
Total Length: 3.0m – 9.6m
Shipping Weight: 222kg + weights

CRANE Gallery

Get this service ...

    Lets Have a Talk

    E-mail: [email protected]

    Phone: +386 41 617 012

                 +386 41 575 392

    about us ...

    We started our video production business in 1993 and established ATANA d.o.o. company in 2003. Long-lasting worldwide experiences and a wide circle of creative professional video production co-workers, following technical progress and teamwork, assures perfect execution of the entire solution from the idea to the realization of the final product. Rich experiences gave us specialization for particular parts in video production as working with cranes, remote control cameras, Steadicam, super-slow motion cameras, slow motions (EVS, K2, LGZ), post-production, software development,…

    We cooperate with different television and production companies. For us, our business partners are always the most important. The years of video production experience guaranteed our customer’s satisfaction and the competitiveness of our company in the entire offer can be a solution on basic as on higher demanding level.

    Hello there! Ready for a new project?