Crane

Our team will bring your production to higher level. We have many worldwide experience working with a crane. We do a lot of sports, concerts, live shows, documentary movies, commercials, music videos,…

Crane gives you special shots and because of that your production will look much more professional. We always consult with the director or the producer what kind of crane you need and what you expect. Together we are on the right way to do a great job and final product will be great.

Information needed for the booking:
• What is the date for the production?
• Which crane do you need?
• How many cranes are needed?
• How large crane is needed?
• Do you need Dutch Roll head?

  • SuperTechno30

    A popular choice for film, television and commercial shoots, the Supertechno 30 Techno Crane offers a respectable arm length whilst maintaining a small foot print and simple set-up/de-rig.

    Specification:
    Max. Lens Height: 9.2m
    Max. Telescopic Range: 6.9m
    Max. Length Crane: 11.59m
    Max. Speed: 2.8m/sec.
    Min. Speed: 1m/h
    Max. Camera Weight (with Z Head): 35kg
    Total Weight: 1200kg
    Max Power Requirment: 16Amp

  • CamMate 2000 Series
    The 2000 Series provides quality, precision moves and control, allowing you to reach new heights. The 2000 Series can be built in various lengths and is made of 2m sections and has a maximum height of 12m.

    Remote head has max payload of 23kg, and it is compatible with all broadcast or ENG camera with either Canon or Fuji lens. Pan and tilt movement of remote head can be controlled as well as the speed and damp of pan and tilt movement. It has control for Canon (8-pin or 20-pin) or Fujinon lens, including zoom/focus/iris control, and zoom speed adjustment. For broadcast production we use 2 monitors. One for camera picture and second for ON-AIR picture. If needed we have tally light on the head and near operator. Intercom goes directly from the camera and operator + asistent can listen to the director or they can talk between each other.


    Specification:
    Lens Height: 4.09m - 12.22m
    Reach: 2.21m – 12.00m
    Total Length: 3.76m - 14.5m
    Ballast Needed Approx: 18kg - 309kg

  • CamMate Travel series

    Travel Series is the smaller version of the 2000 series crane with a minimum height of 2,5m and a maximum height of 6,4m. Travel series is great for outdoor shooting and it’s ideal for small studios and confined spaces.

    Remote head has max payload of 23kg, and it is compatible with all broadcast or ENG camera with either Canon or Fuji lens. Pan and tilt movement of remote head can be controlled as well as the speed and damp of pan and tilt movement. It has control for Canon (8-pin or 20-pin) or Fujinon lens, including zoom/focus/iris control, and zoom speed adjustment. For broadcast production we use 2 monitors. One for camera picture and second for ON-AIR picture. If needed we have tally light on the head and near operator. Intercom goes directly from the camera and operator + asistent can listen to the director or they can talk between each other

    Specification:
    Lens Height: 3.35m - 7.62m
    Reach: 1.5m – 6.4m
    Total Length: 2.57m - 7,75m
    Ballast Needed Approx: 4.1kg - 120kg

  • SC-SUPERJIB

    Remote head has max payload of 20kg, and it is compatible with all broadcast or ENG camera with either Canon or Fuji lens. Pan and tilt movement of remote head can be controlled as well as the speed and damp of pan and tilt movement. It has control for Canon (8-pin or 20-pin) or Fujinon lens, including zoom/focus/iris control, and zoom speed adjustment. For broadcast production we use 2 monitors. One for camera picture and second for ON-AIR picture. If needed we have tally light on the head and near operator. Intercom goes directly from the camera and operator + asistent can listen to the director or they can talk between each other.

    Specification:
    Lens Height: 6.9m
    Reach: 1.5m – 8.1m
    Total Length: 3.0m – 9.6m
    Shipping Weight: 222kg + weights

If you are interested to buy a new or used crane, do not hesitate to contact us!

  • SuperTechno30

    A popular choice for film, television and commercial shoots, the Supertechno 30 Techno Crane offers a respectable arm length whilst maintaining a small foot print and simple set-up/de-rig.

    Specification:
    Max. Lens Height: 9.2m
    Max. Telescopic Range: 6.9m
    Max. Length Crane: 11.59m
    Max. Speed: 2.8m/sec.
    Min. Speed: 1m/h
    Max. Camera Weight (with Z Head): 35kg
    Total Weight: 1200kg
    Max Power Requirment: 16Amp

  • CamMate 2000 Series
    The 2000 Series provides quality, precision moves and control, allowing you to reach new heights. The 2000 Series can be built in various lengths and is made of 2m sections and has a maximum height of 12m.

    Remote head has max payload of 23kg, and it is compatible with all broadcast or ENG camera with either Canon or Fuji lens. Pan and tilt movement of remote head can be controlled as well as the speed and damp of pan and tilt movement. It has control for Canon (8-pin or 20-pin) or Fujinon lens, including zoom/focus/iris control, and zoom speed adjustment. For broadcast production we use 2 monitors. One for camera picture and second for ON-AIR picture. If needed we have tally light on the head and near operator. Intercom goes directly from the camera and operator + asistent can listen to the director or they can talk between each other.


    Specification:
    Lens Height: 4.09m - 12.22m
    Reach: 2.21m – 12.00m
    Total Length: 3.76m - 14.5m
    Ballast Needed Approx: 18kg - 309kg

  • CamMate Travel series

    Travel Series is the smaller version of the 2000 series crane with a minimum height of 2,5m and a maximum height of 6,4m. Travel series is great for outdoor shooting and it’s ideal for small studios and confined spaces.

    Remote head has max payload of 23kg, and it is compatible with all broadcast or ENG camera with either Canon or Fuji lens. Pan and tilt movement of remote head can be controlled as well as the speed and damp of pan and tilt movement. It has control for Canon (8-pin or 20-pin) or Fujinon lens, including zoom/focus/iris control, and zoom speed adjustment. For broadcast production we use 2 monitors. One for camera picture and second for ON-AIR picture. If needed we have tally light on the head and near operator. Intercom goes directly from the camera and operator + asistent can listen to the director or they can talk between each other

    Specification:
    Lens Height: 3.35m - 7.62m
    Reach: 1.5m – 6.4m
    Total Length: 2.57m - 7,75m
    Ballast Needed Approx: 4.1kg - 120kg

  • SC-SUPERJIB

    Remote head has max payload of 20kg, and it is compatible with all broadcast or ENG camera with either Canon or Fuji lens. Pan and tilt movement of remote head can be controlled as well as the speed and damp of pan and tilt movement. It has control for Canon (8-pin or 20-pin) or Fujinon lens, including zoom/focus/iris control, and zoom speed adjustment. For broadcast production we use 2 monitors. One for camera picture and second for ON-AIR picture. If needed we have tally light on the head and near operator. Intercom goes directly from the camera and operator + asistent can listen to the director or they can talk between each other.

    Specification:
    Lens Height: 6.9m
    Reach: 1.5m – 8.1m
    Total Length: 3.0m – 9.6m
    Shipping Weight: 222kg + weights